Friday evening we went to see Justin Townes Earle perform at the famous Horseshoe Tavern. Justin is the son of Steve Earle. He has managed to become successful without trading on his father’s name and has remarkably developed his own style of songwriting and playing. He has no doubt been influenced by his father’s musical tastes without copying Steve’s sound at all.
http://www.justintownesearle.com/
This venue, The Horseshoe Tavern, has been around forever and has hosted a ‘who’s who’ of incredible acts over the years. The building itself is 150 years old and originally housed a blacksmith shop. Since 1947 it has been a bar/honky tonk and artists like Willie Nelson, Waylon Jennings and Loretta Lynn played there early in their careers. More recently The Rolling Stones kicked off their Bridges To Babylon tour there in 1997. This was an ‘invite only’ last minute affair as the place will only hold 300 standing shoulder to shoulder.http://horseshoetavern.com/glory_days.htm
While waiting for the doors to open, I received a small tap on the shoulder and a tiny female voice saying, “Hi Bill”. Now keep in mind that I know exactly six people in the metro area and I am 1,000 miles from my hometown so to hear my name called out is just impossible. To my complete surprise, I turned around to see my little friend, Amanda Shires. If you were a faithful reader of our New York blog you may recall that we saw her perform on two occasions there last year. Once I was able to recover from the shock of seeing a familiar face in my new city, I found out she was not the opening act, but would be the fiddle player and backing vocalist for Justin. What a great bonus! A little later before the show, Toni and I were able to separately have brief conversations with her and she told us how she and Justin go way back to the beginning of his recording career in Nashville and that she played on his first CD. Justin had to cancel some dates last year and when he rescheduled them he contacted her to see if she was available. She had a few days off from her own shows with Rod Picott and booked them with Justin. She was a fantastic addition to the lineup. Bryn Davies was recruited likewise to play standup bass.http://www.amandashires.net/Amanda_Shires/HOME.html
We arrived early so we could snag one of the few seats to be had on one of the tables. We were able to share a booth with a U of T Professor, his son and his son's friends who were all huge fans of this genre. So we had some interesting conversation before and between acts to ease our impatience of not getting to see JTE until 11:15.
Little did we realize this was a venue without a good seat in the house. Only the people standing in front that arrived later would be able to get the complete experience. Luckily our booth had a ledge above it where we were able to perch ourselves and get fairly good views of the musicians. Being a sold out show, there were hundreds of people packed into this small venue so Toni's usual attempt at wriggling up front failed after a couple of minutes.
In addition to the less than comfortable seating, we endured a lot of drunk attendees. Upon our perches we were getting a decent amount of A/C cutting through the growing humidity and feel pretty relaxed and relieved the sound system was a great one. At that point about half way through the opening act, a very intoxicated woman standing behind us who was yucking it up with a couple of hippie bikers suddenly did a Danny Thomas spit take. Luckily, Toni only was hit with enough drops to get her attention, but one of the bikers good naturally took the brunt of it resulting in a soaked t-shirt.
About 20 minutes into JTE, the A/C could not keep up with the humidity rising from the damp basement cave below and the heat of the crowd. This was the perfect environment for Justin performing "Working For The MTA" because it was just like being in the worse NYC subway station on a muggy day.
The show was great though. Justin was entertaining not just with his music but with his between songs banter and self deprecating humour (much of it directed at his demons that led to the rescheduling to begin with). The highlight of the evening was the title track, “Harlem River Blues”, which the entire crowd sang along with from beginning to end unprompted. Usually I don’t care for the singalong bit but in this case the original song incorporates a gospel style backing so it was enhanced by this participation.
We really wanted to stick around and say goodbye to Amanda after the show but we were exhausted and anxious to get out of the sauna. It was nearly one in the morning but it is a snap to grab a cab at Spadina and Queen and in five minutes we were delivered to our door.